snow

Blogger Widgets Blogspot Tutorial

Wednesday, April 01, 2009

2 April: Altermodern Manifesto- Miltos Manetas and Sam Thorne at TATE BRITAIN

1238009382image_web-1



Non-Static Art in Static Display Miltos Manetas and Sam Thorne in conversation tomorrow at TATE BRITAIN

Altermodern Manifesto
POSTMODERNISM IS DEAD

A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture

Increased communication, travel and migration are affecting the way we live

Our daily lives consist of journeys in a chaotic and teeming universe

Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture

This new universalism is based on translations, subtitling and generalised dubbing

Today’s art explores the bonds that text and image, time and space, weave between themselves

Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.

The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.

Nicolas Bourriaud
Altermodern – Tate Triennial 2009
at Tate Britain
4 February – 26 April 2009

Related Link here

Thursday, March 12, 2009

Random Rules: a YouTube project curated by Marina Fokidis



From Ahmet Ogut's playlist


From Aids 3D's playlist




From AVAF's playlist



From Pablo de la Barra's playlist

Click here for URL

Random Rules: A Chanel of Artists’ Selections from YouTube.
The history of moving image seems to have ‘seriously’ diverted from its canonical route ever since the launch of YouTube, in 2005, the website which made possible for anyone who could use a computer to post a video that millions of people could watch within a few minutes. More effectively than ever before, amateur videos, music videos, footages of films, commercials and news segments as well as artists’ videos (in lesser numbers) mingle together, in a random way, free of any short of predetermined hierarchy or system.
Does amateur culture have undervalued artistic expertise?
Some would argue that this is true; however, it is neither a major concern nor a pragmatic threat. During the last decades, there have been a lot of debates about expertise versus amateurism or around the idea that everyone is an artist, etc, that it would be redundant to renegotiate these notions anew. Maybe it is more interesting to focus on the gaps and the relations between the systems of the art market and a more open mass culture market, to find some answers, which will not be fixed in anyway. Even if artists, in some cases, are reluctant to upload their works in there- at least up to now- due to reproduction and copyright issues, they still seem to frequent YouTube for inspiration, collecting information, socializing, communication, activism, ,or entertainment, among other reasons! Active use of YouTube is a short of curating, where different ‘playlists’ of people are the exhibitions and “tagging” is a process of a random archiving. Having participated in many YouTube-exchange private gatherings (mainly organised and conducted by artists) it made lots of sense to somehow explore what YouTube means to a specific intellectual community, by asking a number of artists to select videos already exciting in YouTube and create their own playlists. The idea was to create a channel (such as this one titled Random Rules, Artists selections from YouTube,). A short of paradoxical archive, or an emission in an independent media (such as YouTube) which includes all these playlists, each under the name of the artist-selector. In that plot, the uploader becomes the broadcaster or the artist, the artist become the curator or the collector, and the viewers exceed by far the number that can be contained into a normal screening room, since the channel is to be watched in a black cube setting and online at the same time.
Through the combination of this specific set of artists -as selectors- the aim remains always to come up with an anthology of different voices existing within the YouTube context. Perhaps, by watching this channel one could come across the notions of political, private, humor, narcissism, pop and DIY culture and distribution, -among others- as they result from various personal accounts in YouTube today. MF.
Artists include Andreas Angelidakis, Aids 3D, AVAF, Pablo Leon de la Barra, Erick Beltran, Keren Cyter, Jeremy Deller, Cerith Wyn Evans, Dominique Gonzalez Foerster, Dora Garcia, Rodney Graham, Annika Larsson, Matthieu Laurette, Ingo Niermann, Miltos Manetas, Ahmet Ogut, Angelo Plessas, Lisi Raskin, Linda Wallace.

Thursday, March 05, 2009

Why I love California: Part 3

P1040058
gallery announcements at KimLight gallery

P1040047

lovely Malibu bike trails

P1040059
super cool gallery facades at Cienega

P1040078

the house in Hollywood of Konstantin Kakanias,

IMG_5243

and his beautiful paintings

P1040077

with remnants of the past (and present)

P1040079

and lovely dinner with Allegra Pesenti and Christian Louboutin

P1040084

then partying with Mexican cowboys somewhere below Hollywood blvd

P1040092

surrounded by amazing women

P1040088

and dancefloors filled with surprises.


Sunday, March 01, 2009

Why I love California: Part 2

P1030874

Because of semi-abandoned dinosaur parks

P1030877

P1030883

joshua trees everywhere,

P1030927

mineral salt reservoirs,

P1030954

and the edges of a desert which

P1030979

meet Death Valley where everything can take your breath away,

P1030986

a Disney-like cabaret in the middle of nowhere,


P1040008

and then every street leads to Las Vegas,


P1030990

a fairy-tale nightmare,

P1030994

where money is important for losers,


P1030992

and lights that make you lose your brains